I’ve tried–repeatedly–to figure out some method for editing my manuscripts. Not the line edits–word choice, sentence rhythm, the notes let’s say–years of writing poetry have helped me there.
Writing week 2013
This was my writing week off for 2013.
Editing update
I’m currently running Perdita through my writing group, and I have one set of notes from a beta reader.
Editing -Chapter 6
So I’ve split chapter five into two because of all the rewriting I’ve done to change the lead up to the ships. At this point I’m back closer to editing rather than writing new scenes or cutting 90% of what I have. Less than 20k words to go. I’ve done the hardest parts.
But I’m feeling stuck at the start of six. Did I get lost in the rewrite? Have my characters become different people? I’m not sure.
Editing – chapter 2, second draft
As I logged all of my early NaNoWriMos to help me figure out what my process is, I probably should do that with the editing too.
The first draft of chapter one is done. Fairly happy with it, although I suspect there will be some issues with POV although I revised it.
Problem: Astrology.
It’s pretty clear to me that the world needs an astrology system that’s fairly integrated into their worldview.
Now–there’s a point in the story where there’s a bit of a deus ex machina–at the beginning, to set the story in motion. I could use a star chart as a more logical departure.
I’m not sure though–will this unnecessarily complicate the story? (probably not) Is it helpful? (unclear) Is my resistance mainly due to lazyness? (likely)
Sure, I can just add in some language here and there and explore the system in full in a later novella (which was kind of my original plan). But does that make the system part of their lives? It really should be….
Editing updates
I’ve been editing the Perdita story for the past few days and what a difference practice makes!
Granted, it really really helps that it’s my own world, so historical accuracy isn’t really a problem. I suspect this may be why fantasy seems so appealing to new authors–no accountability to facts outside the story; and you can literally save the world.
Still–I’m looking over my paper copy and making pen edits and it’s really really easy.
But then again, I’ve had a lot of practice by now.
Revisions
After months of researching, reading, and futile revision attempts, I have finally figured out a method of story structure that is working for me.
At least, for this manuscript.
Structure and subplot
Listed all the subplots within the 1950 manuscript.
Interesting — they are all about the collapse and loss of family. Inspired me for a couple more concrete details to add to the book in general.
However, it does not expose gaps as well as I had hoped.
Editing and Research
Recent research has included:
- The Street with No Name (for the 1950 story);
- Guns of August/Tuchman (for the adventure story);
- The Crimean War/Figes (for the adventure story);
- Wish Me Luck (BBC series) (for the 1939 story);
- Carve Her Name With Pride (film about Violette Szabo) (for the 1939 story).
I really could use some working titles here!
Current editing:
Still trying to understand the structure process. Getting lost in midsection (story-world). Next step: peel out individual subplots and character arcs to help see where they have holes.
Eventually, I really hope to get a story structure process together. It feels so mysterious.
Incoming:
Need more work and thought around either fantasy or sf story lines. Both are currently too thin and the character voices are not strong enough to talk me through.
Editing update
I have been continuing to work on the 1950 project but I’m still on chapter five sadly.